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Pet Portrait Collage Tutorial – Reading Fabric Values

Pet Portrait Collage Tutorial – Reading Fabric Values

Welcome to the second part of my Pet Portrait Collage Tutorial. In Part One we learned that a range of light to dark values allows us to see depth and dimension in our world. Similarly, the secret to making your collaged pet portrait look real is applying the same concept to your fabric choices. In other words, to make a fabric collage of a white cat or dog, you’ll need fabric values that include white, light to medium grey and black. And for a black one, you would probably still use white and black but the range of greys would be much darker. Regardless of your colour choices, a wide range of values is needed to create depth and dimension in any portrait. You can even include purple, blue, pink, or orange in your portrait, as long as you pay attention to value.

How to Read Value in Fabrics

Once you understand you can use a variety of fabric values to create a dimension and realism, here comes the next hurdle: putting this knowledge into practice. The urge will be to find some nice colours that you think will be suitable. After all, most of us are quite happy choosing fabric colours for our quilts, but not so comfortable reading or judging the relative values of fabric (how light or dark it is). In reality, you need to find fabrics with values that match the values in the photo. But let’s focus on finding the values of your fabrics for now.

Match the values of your fabrics to the values in your photo.

If you’re a quilter, you no doubt have light, medium and dark fabrics in your stash. You may even own some of the tools for identifying values in fabrics (check out your colour wheel for the value finder feature). The challenge we all face is seeing and reading the relative values in our fabrics. That is, how light or dark is a fabric compared to another one sitting next to it? The difference is obvious when comparing very dark to very light fabrics, but for all those fabrics in the ‘medium’ range, it can be more difficult to discern.

Quilter’s Fabric Value Finder

I have been working on this problem since I first learned the importance of value in quilting. Recently I developed a 7-step Quilter’s Fabric Value Finder for reading values in fabric. I use this to teach students how to select fabrics for collage. I can almost see the light bulbs going on across the room when their eyes light up after sorting fabrics of all colours using a tool like this.

Ruler for sorting fabrics by value

The Quilters Fabric Value Finder is a 3 1/2″ x 24″ value scale with 7 squares ranging in value from white to black. It helps you quickly sort your fabrics in order of value, from lightest to darkest. Think of it as a ruler for value, where white = value 1 and black = value 7. The greys in between are values 2 to 6.

A value finder purchased from an art store will serve a similar purpose. Or, if you are computer savvy, you can draw a series of squares in Word and colour them in with gradations of grey. Then print it out and cut a hole in the center of each square.

Think of the Value Finder as a “ruler” for measuring relative value.


Here is a group of fabrics that I sorted using the Fabric Value Finder.

This is how it works:

  1. Hold a fabric swatch over the hole in the white square and look for any contrast.
  2. Move the swatch slowly along the Value Finder one square at a time, looking to see if it contrasts or blends in. You may find it helpful to squint.
  3. You will notice that your swatch blends best with one of the squares but contrasts with all the others. This is its relative value.
  4. Repeat with all of your fabric swatches.

Note that your fabric may not exactly match the values in the Value Finder, because only 7 values out of an infinite range of greys are represented. This is perfectly fine because value is relative. That is, value 4 is darker than values 1-3 but lighter than values 5-7.  Just place your fabric swatch where it blends in the best. That’s all there is to it. Your fabrics are now sorted by value.

The hole in the centre is a great feature for finding the value of larger pieces of fabric. Just drape the Fabric Value Finder over the fabric and you’ll notice that one of the peekaboo views blends better with its surrounding square than the others. In this example, the green circle with the least contrast is the middle one, value 4. The circles on the right look comparatively lighter while those on the left look darker, making this green fabric’s relative value a 4.


In the example below, I’ve placed a fabric swatch of matching value over the centre hole in each square. Laying a small piece of fabric on a square of the Value Finder like this helps you see whether it blends or contrasts with the value surrounding it.

Although the swatch in the value 1 square (white) is not a perfect match, it is still lighter than the swatch in the value 2 position. This means its value is 1 relative to the others in this collection of fabrics.


The Quilter’s Fabric Value Finder works for any colour of fabric. This example uses brown fabrics. Notice that while the fabrics do not always perfectly match the values on the Value Finder square, they are sorted in a sequence of light to dark.


The last piece of the fabric collage puzzle is learning to read values in your photograph. In the next post, I’ll show you how to do this as you make a pattern from a photograph.


Are you ready to put this knowledge to use and make a stunning fabric collage Pet Portrait? This exercise is just one small part of the online Pet Portraits course, which you can learn more about here:  Pet Portraits: Fabric Collage.

Another dog portrait is done!

Another dog portrait is done!

The latest dog portrait has finally graduated from the design wall to the dog house. Welcome, Gus … formerly known as Max!

Each portrait I make provides an opportunity to try something new and this time, I decided to make a strip pieced background. Orienting the strips on the diagonal seems to enhance the sense of depth and add extra punch to that big pink tongue. I also decided to use more colour in the eyes, nose, and mouth, again emphasizing these great features.

quilted pet portrait

Gus waited a long time on the design wall as I spent almost a month touring by bike through France this summer. Now that I’m back and rested from towing my possessions behind me on my bicycle over 1400 km from the Loire Valley to Provence, I’m in the studio and making dog portraits again. All that pent up creativity is getting released. Ahhh… that feels good.

I have also been working on improving my brand and the first item on the improvement list is to change the domain name of my website to 2dognightdesign.com. More exciting changes will follow. Thanks for staying tuned to my journey as it evolves in the world of dog portraits.

Nahanni, meet Nahanni

Nahanni, meet Nahanni

In November I made a portrait of a curly-haired poodle named Nahanni. She’s a lovely dog with a beautiful calm temperament which made her fairly easy to photograph. Her eyes are two big pools of love that I managed to capture in the picture and the portrait. Today I had the pleasure of taking that portrait to Nahanni’s owners, as they fell in love with it and wanted to purchase it.

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Nahanni seemed to understand the whole transaction as she stood in front of me and lifted her paw to shake hands. Well, maybe that’s stretching things a bit, but she did shake my hand a number of times…most likely wanting a cookie. Many thanks to Dave and Susan for being the first to buy one of my pet portraits.