Anne Mathers

As an art quilter, I generally don’t make two of the same quilts on purpose. But, while I was auditioning the green background on Piper’s portrait, my enthusiasm got out of hand and I was having so much fun, I just had to complete it. But, it was a commission and I had not even asked the client what colour she wanted! With a copy of the templates in hand, I made a second portrait of Piper and fortunately, the black & white version also looks great on this saturated blue.

Below is the workup for Piper, showing that I had traced the line drawing onto a thin muslin background. The lines are almost all covered up, but hopefully you can see a few of them in the face area. Since the individual fabric shapes are all backed with Lite Steam-s-Seam II they are lightly sticky and I can simply fill in the spaces, one shape at a time.

Using a re-positionable fusible product such as Lite Steam-a Stam II allows you to view your work in the vertical plane as it progresses. No pins, no glue, no pieces slipping around! It’s truly a ‘what-you-see-is-what-you-get’ approach and makes a world of difference.

Here’s what I learned from making Piper twice:

1. Always find out what your client wants before getting too carried away!
2. Photocopy your templates so you can make a new set if, needed.
3. Using a re-positionable fusible lets you work in a vertical plane and truly see your work as it develops.

There you have it: making a piece twice can really have unexpected advantages.